The Girl With The Dragon Tattoo soundtrack, featuring three hours of new music by Trent Reznor and Atticus Ross, is available to download NOW direct from us or from iTunes. You can also pre-order the album in a 3-CD package or a 6-vinyl deluxe limited edition.
Watch the video of “Immigrant Song” featuring Karen O, from the soundtrack:
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For the last fourteen months Atticus and I have been hard at work on David Fincher’s “The Girl With The Dragon Tattoo”. We laughed, we cried, we lost our minds and in the process made some of the most beautiful and disturbing music of our careers. The result is a sprawling three-hour opus that I am happy to announce is available for pre-order right now for as low as $11.99. The full release will be available in one week – December 9th.
You have two options right now:
VIsit iTunes here where you can immediately download Karen O’s and our version of Led Zepplin’s “Immigrant Song” when you pre-order the soundtrack for $11.99.
You will also be able to exclusively watch the legendary 8-minute trailer you may have heard about (no purchase necessary obviously). We scored this trailer separately from the film, BTW.
Visit our store here. We’re offering a variety of purchasing options including multiple format high-quality digital files, CDs and a really nice limited edition deluxe package containing vinyl and a flash drive.
In addition, RIGHT NOW you can download a six-track, 35 minute sampler with no purchase necessary.
Live the dream and visit both! Atticus and I are very proud of the film and our work, we hope you enjoy.
The Girl With The Dragon Tattoo opens 12/21 in the US.
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We’re auctioning off a selection of NIN memorabilia, with the proceeds going to our friends rescuing greyhounds at Greyhound Rescue and California Greyhound Adoption Promotion. Click here to view the auctions, and check back as more items will be added in the coming weeks.
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The Girl With The Dragon Tattoo soundtrack will be released on Mute Records internationally, and on Null in North America. Watch here for more information on December 2nd.
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I began using TuneCore six years ago with the release of Ghosts. They seemed like an interesting and efficient solution to get my music out everywhere and circumvent the existing machine in place at that time. The experience went very well – they actually did what they said they would in a straightforward, transparent, efficient and logical manner… I was sure they wouldn’t have a chance of surviving in the music business with that philosophy!
Years later, we’re both still standing. I’ve continued using TuneCore for all my releases since Ghosts including “The Social Network” and plan to use them for the upcoming “The Girl WIth The Dragon Tattoo” and the new full-length from How To Destroy Angels.
When they reached out to tell me about their new big idea – adding transparency and straightforwardness to the murky waters of publishing administration (which to me is a world as boring and convoluted as it sounds) I was very interested. If they could pull off what they did with distribution on the publishing administration side of things, this could be a pretty big deal – it could be another important tool that further empowers the musician / songwriter directly.
OK, I’m in. Check the link below for more information or check back in a few years and I’ll tell you how it went!
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